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Blue On Brown
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Blue On Brown The Abrams Brothers
A tribute to the music of Bob Dylan and Arlo Guthrie. With the release of Blue on Brown, The Abrams Brothers – John, 18, James, 15, and cousin Elijah, 18 – will bring the focus back to the music and represent young musicians as they should be: as artists. And what better way to do so than with a tribute album to the folk legends who epitomize the artistry of musical performers? The 12-track album, the third release from The Abrams Brothers, is one-half Bob Dylan, one-half Arlo Guthrie and one hundred percent The Abrams Brothers. They successfully capture the homegrown, down to earth essence of Dylan and Guthrie, but not without injecting their own personality and putting their own bluegrass gospel twist on the album. Blue on Brown was produced by Canadian musician, singer, songwriter and producer Chris Brown, who is well known for his longstanding musical partnership with Kate Fenner, former bandmate of now defunct The Bourbon Tabernacle Choir, and his work with Tony Scherr, Ani DiFranco and The Barenaked Ladies. “The Abrams are an immensely wonderful and talented family and so steeped in many traditions of music,” said Brown. “It is just so apparent in their work, but also just so full of life and energy that everything inhabits the present tense with them. It’s like they bring tradition to the table all the time, but it’s really living and beautified.” Throughout the album, The Abrams Brothers deftly keep up with Dylan and Guthrie’s fast rhythms and intricate guitar finger-work. They even go a step further, at times adding depth by carrying the melody with a violin instead of a guitar or often producing a fuller sound by using the violin as an accompaniment. The Abrams Brothers also enhance their album by bringing in a full band, including John and James’s father, Brian Abrams, on rhythm guitar and vocals. The recent addition of banjoist Brandon Green as a fourth member of the band adds yet another dynamic to the group. In Arlo Guthrie’s “Every Hand in the Land,” The Abrams Brothers effortlessly switch from a drawling rhythm to a breakneck tempo during a two-minute instrumental section and then back again, all the while presenting a clean, precise execution of the piece. One of the greatest departures from the original recordings is the cover of Dylan’s “Gotta Serve Somebody.” The Abrams Brothers kick up the tempo and transform the heavily jazz-tinged track into a bluegrass one, reigning in several other vocalists to create a diverse collage of aphorismic testaments. They conclude the album with Dylan’s classic, “The Times They are A-Changin’.” They lead into their slowed-down version of the song with a solemn strings arrangement that continues throughout the track, lending the ballad an even softer, more intimate vibe and leaving listeners with a feeling of reverence for Dylan’s powerful words and for The Abrams Brothers’ respectful and skillful rendition. As Bob Dylan once sang and The Abrams Brothers sing now, “As the present will later be past, the order is rapidly fadin’.” Dylan’s prophecy couldn’t prove to be truer. Welcome to the new order, an order structured according to talent that is here to stay, courtesy of The Abrams Brothers. |
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